草薙素子再啟動

◎狐狸

大約於今年初,偶然看到攻殼機動隊的真人版電影訊息。這個訊息從去年就開始醞釀,一直都只有片段對原作致敬的畫面,直到這一段讓我皺眉的電影透露之前劇情方面一直沒有太完整的透露。有一天我突然決定要趁頭髮還短的這半年拍一組cosplay照,扮演攻殼機動隊中的主角草薙素子。

這部動畫大約於1995年上映,劇中敘述2029年資訊網路發達,人體義體化廣泛的一個世界。在資訊流通快速的世界裡犯罪率反而提升,因此組成的公安九課。

關於義體、公安九課的設定和攻殼機動隊的詳細故事請參考攻殼機動隊電影版、Innocence、S.A.C Solid State Society、動畫版Stand alone complex、S.A.C 2nd GIG等作品。製作團隊對於高度義體化、資訊電子化的情況下人性人際的表現刻畫得相當細緻完整,就算是22年後的現在也相當值得咀嚼。

大約於1月底春節左右我突然發想這個念頭,構想了一下決定在電影上映前後完成這一組約拍。一方面因為找不到適合且質感令我滿意的cos服,考量自己做衣服的能力不足以在時限內完成讓自己滿意的成品,最後決定全裸上陣,並且用我熟悉的繩縛來取代電線、管線完成構圖。脖子上、身上的機械化表現則用人體彩繪。

從1/29和攝影師聯絡,中間練習繩縛、嘗試彩繪構圖一次,大致輪廓和注意事項與彼此溝通,拍攝在2/19順利完成,是相當突發的一次約拍。

從開始彩繪到還原場地歷時將近8個小時。感謝柯琳處裡的繩縛,可以吊起的不規則繩路是難以掌握的進階手法,而且綁在全裸的人體上有別於穿著衣服時該注意的重點,除了我忍不住動口不動手的狀況自己綁的小腿之外拆繩後我身上幾乎沒有太多繩痕。可蘋處理的人體彩繪總是出乎意料之外的細緻,原本我的想像中只打算描出脖子上的連接端和手臂上的接合線就好,在看過構圖後她二話不說拿出眼線筆和眼影幫我畫出皮膚底下cyberpunk風格機械人體和陰影。在吊縛過程中我原本以為可以自己控制重心完成全程拍攝,在攝影師的建議下我決定請幾位朋友來幫我扶住拍攝過程中我勢必歪七扭八的肢體。結果也顯示這是必要的協助,否則我一個人要單腳站在那邊半個小時大概必須得花上加備的時間。感謝他遠從新竹在週日北上塞車時段駕車趕來,大批的攝影器材和專業態度讓全場每個人為之震懾。有他精準的打光和對畫面的理解,珂琳對還原畫面的動作指導。多虧了大家,這次約拍在其他人幾乎都沒有看過原作的情況下順利完成,並且在期限內得到令人驚豔的畫面。

  • 攝影師/林見彥
  • coser/狐狸
  • Rigger/柯琳
  • 人體彩繪/可蘋
  • Cosplay:costume play之簡稱,中文譯做角色扮演,是一種活絡於動漫圈的活動。將自己裝扮成作品中喜愛的角色模樣,並且在傳達過程中揣摩角色的活動。
  • 攻殼機動隊作品介紹請參閱維基百科頁面:https://zh.wikipedia.org/wiki/%E6%94%BB%E6%AE%BC%E6%A9%9F%E5%8B%95%E9%9A%8A

以上資訊同步公開於:
皮繩愉虐邦/http://www.bdsmtw.com/
tumblr/https://hualiceus.tumblr.com/
cure world cosplay/http://worldcosplay.net/member/617091
狐狸的袋底洞/http://alicehsu.blog.bdsmtw.com/
Fetlife/https://fetlife.com/users/7123642
縛生/http://shibaru.life/

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